They’re energy efficient, cool, and able to cast a bright, even light for up to 50,000 hours. LEDs may be your best option for studio lighting. They also contain mercury, meaning that spent bulbs require special disposal as hazardous waste. They also emit a lot of heat, which could be problematic in a small space.įluorescent lighting is better for working with color, but the bulbs have a short lifespan, and they dim and flicker as they age. Incandescent and halogen bulbs cast a yellowish light that can make accurate color mixing difficult. There are three main options for studio lighting: incandescent/halogen, fluorescent, and LED.
Many artists find a way to work successfully under certain artificial lights. Painters in this situation may end up blocking or diffusing the light with blinds.Īll is not lost, however, if your studio has no windows at all.
It tracks through the room during the day, and could give a false intensity to palette colors. Though it’s enormously appealing to have natural light in the studio, it can be difficult to deal with. It’s ideal to have a north-facing window in your studio if you live in the northern hemisphere, as north light fluctuates the least over the course of the day while in the southern hemisphere, south-facing light works best. Studio lighting also has a huge impact on the work you produce. White is a versatile choice because it doesn’t skew work toward a particular color palette. Light-colored walls may encourage more colorful art, while dark walls may bring about Rembrandt-esque drama. Warm colors will lead to warmer palettes, and cool walls can inspire cool ones.
With this in mind, you may want to choose a wall color that will guide and enhance your work. Since the walls reflect onto and visually surround your canvases, you may unconsciously echo the studio walls in your work. By removing excess furniture and covering the floor with a plastic drop sheet, you can turn any room into a work space.Ĭhanging the wall color is a cheap and dramatic way to alter both the studio and your work. But, if it’s an option, painters shouldn’t hesitate to claim a room with a door. If a common room is the only space available, you may want to set up a screen or a curtain to create a partition between the public area and the painting space. The ability to experiment away from the scrutiny of others is vital for an artist, so every studio should have walls of some kind.
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